The key struck. A tiny shutter inside the machine opened for a fraction of a second, projecting the letter ‘M’ from the metal negative onto the moving paper. The paper advanced a precise unit. Clack. Whirrr. Expose. ‘y.’

He’d kept that strip of paper for sixty years. It was taped inside his wallet, beside a photo of her from a picnic in 1963.

Arthur. I proofread my life. No errors. I’m sorry it took sixty years to set the record straight. Come to Chicago. Bring the machine. We have a darkroom here too.

In the summer of 1962, he typed, I fell in love with a girl who smelled of mimeograph fluid and jasmine.

He pulled a strip of photographic paper from the box—glossy, eight inches wide—and fed it into the machine’s gate. He took a deep breath. Then he began to type.