In 1974, a 28-year-old artist stood silent for six hours in a small gallery in Naples, Italy. On a table beside her were 72 objects. Some were pleasurable (a feather boa, honey, a rose). Others were lethal (a scalpel, a loaded pistol with one bullet).
Want to explore more boundary-pushing performance art? Subscribe below for our monthly “Art & Human Nature” deep dive.
The instructions were simple:
The 6 Hours That Exposed Humanity: Lessons from Marina Abramović’s Rhythm 0