Murali Movie Review Ratings | Minnal

Minnal Murali (2021), directed by Basil Joseph, isn’t just India’s first true small-town superhero film—it’s a masterclass in rooted storytelling, emotional depth, and visual flair. Released directly on Netflix, the Malayalam-language film transcended language barriers to become a pan-Indian and international favorite.

| Platform | Score | Notable | |----------|-------|---------| | IMDb | 8.0/10 | Very high for an Indian superhero film | | Rotten Tomatoes (Critics) | 100% | Unanimous fresh rating | | Rotten Tomatoes (Audience) | 92% | Strong word of mouth | | Letterboxd | 3.8/5 | Cult following building | | Google Users | 96% liked | Mass approval | minnal murali movie review ratings

Critics universally praised Minnal Murali for its fresh take on the origin story. Unlike cookie-cutter superhero flicks, the film spends genuine time building its characters: Jaison (Tovino Thomas), a tailor with anger issues and a heart of gold, and Shibu (Guru Somasundaram), a tragic, vengeant villain whose backstory evokes real sympathy. The writing smartly uses the Kerala backdrop—local politics, Christian-Muslim dynamics, and rainy, lush visuals—to ground the lightning-powered fantasy. Minnal Murali (2021), directed by Basil Joseph, isn’t

Minnal Murali is not just a great “Indian superhero film”—it’s a great film, period. It understands that powers don’t make a hero; choices do. With a 100% Rotten Tomatoes score and stellar audience ratings, it sets a new benchmark for regional cinema stepping into genre filmmaking. It understands that powers don’t make a hero; choices do

Absolutely. Even if you don’t speak Malayalam, the dubbed versions (Hindi, Tamil, Telugu, Kannada, English) retain the soul. Minnal Murali is proof that a well-told origin story, rooted in place and pain, can fly higher than any CGI spectacle.

A few reviews noted the first 30 minutes feel slightly slow, and some VFX shots (particularly the lightning aura) are inconsistent. However, most agreed the heart and ambition overcome any budget limitations.

The action choreography, especially the final train station fight, was lauded for its inventiveness within a modest budget. Basil Joseph’s direction balances humor, pathos, and spectacle seamlessly.