Skip to the 67-minute mark. The “dinner party” scene, where the sisters realize the fourth place setting is set for someone already in the room , is a masterclass in slow-burn tension. Have you seen a different new horror title on Prime recently? Let me know the exact name, and I can rewrite this review specifically for that film!
Viewers looking for a tidy explanation will be frustrated. The film teases a fascinating monster—a water spirit that mirrors your deepest regret—but never commits to the rules. Does it require belief to work? Is it contagious? By the end, you’re left with three conflicting interpretations, none of which feel fully satisfying. It’s “elevated horror” that forgets to be scary in its final act.
Rating: ★★★½ (3.5/5) Where to watch: Amazon Prime Video (Included with Prime) Genre: Psychological / Folk Horror Director: Sarah Lindholm new horror on amazon prime
For a 98-minute film, the middle 30 minutes drag painfully. We spend too much time watching the sisters argue about cleaning out the basement and not enough time engaging with the horror. There is a ten-minute sequence where the youngest sister vlogs about her mother’s old vinyl records that, while thematically relevant, kills the momentum.
What if the monster in the lake wasn't a shark or a ghost, but grief itself? Skip to the 67-minute mark
The final shot is haunting and beautiful, but it feels like a short film’s ending stretched onto a feature. You will likely rewind the last two minutes three times, not because it’s complex, but because you’ll be unsure if the film actually resolved its central conflict or simply ran out of budget.
The Oscar buzz for sound editing is deserved. The half-submerged audio, the distant echo of a woman singing a lullaby backward, and the silence when a character goes under the water—it’s disorienting and brilliant. Prime’s audio mix is clean; you’ll hear every splash and whisper. Let me know the exact name, and I
Lindholm understands that true horror lives in the quiet moments. The cinematography is stunning—long, static shots of the murky water at dusk, the creak of a wooden dock, the way fog clings to the treeline. There are only three genuine jump scares in the entire 98-minute runtime, but each is earned. Instead, the film builds a persistent wrongness . You’ll find yourself leaning away from the screen every time a character looks into the lake’s reflection.