Abstract: Raktha Kanneeru is a landmark film in Telugu cinema, notable for being one of the earliest explicit depictions of the Telangana peasant armed struggle (1946–1951) and the socio-economic conditions that led to the Naxalite movement. Directed by K. B. Tilak and produced by Tammareddy Krishna Murthy, the film blends socialist realism with commercial cinema tropes. This paper argues that Raktha Kanneeru serves as a historical document of feudal oppression in the Telangana region, while also functioning as a political catalyst that brought revolutionary ideas to the masses. It examines the film’s narrative structure, its portrayal of class conflict, and its legacy in the context of Indian political cinema. 1. Introduction The early 1970s in India witnessed a rise in political turbulence, marked by the Naxalite movement (starting with the 1967 Naxalbari uprising) and widespread student and peasant agitations. In Andhra Pradesh, the legacy of the Telangana Rebellion (1946–1951) against the Nizam’s rule and feudal lords (Doralu) remained a potent memory. Against this backdrop, Raktha Kanneeru emerged as a cinematic intervention.