Back

Who we are

With research staff from more than 70 countries, and offices across the globe, IFPRI provides research-based policy solutions to sustainably reduce poverty and end hunger and malnutrition in developing countries.

Danielle Resnick

Danielle Resnick is a Senior Research Fellow in the Markets, Trade, and Institutions Unit and a Non-Resident Fellow in the Global Economy and Development Program at the Brookings Institution. Her research focuses on the political economy of agricultural policy and food systems, governance, and democratization, drawing on extensive fieldwork and policy engagement across Africa and South Asia.

Back

What we do

Since 1975, IFPRI’s research has been informing policies and development programs to improve food security, nutrition, and livelihoods around the world.

Back

Where we work

IFPRI currently has more than 480 employees working in over 70 countries with a wide range of local, national, and international partners.

Do Not Enter Tcrip — ^hot^

”A short, unsettling trip into digital paranoia.”

Do Not Enter TcrIP thrives on ambiguity. From the moment you’re confronted with that stark warning, the game (or experience) pulls you into a tense, minimalist loop of curiosity and dread. The glitchy aesthetic and cryptic prompts create a genuine sense of intrusion — as if you’re not supposed to be there. do not enter tcrip

The sound design is its strongest weapon: distant keystrokes, static bursts, and low-frequency hums keep you on edge even when nothing is happening. The “TcrIP” concept itself is left just vague enough to feel like an inside threat, though some players may wish for more payoff or a clearer narrative thread. ”A short, unsettling trip into digital paranoia

That said, the experience is over before it fully builds momentum. It’s more of an interactive mood piece than a fully realized game — effective for a single late-night playthrough, but not something that lingers long after the screen goes black. The sound design is its strongest weapon: distant

★★★☆☆ (3/5) Best for fans of ARG-like horror and lo-fi psychological tension.